What films have served as inspiration for your work?
The Dardennes' Le Fils. All Maysles and Wiseman films. Babenco’s Pixote.
You were a poet before you started making films. What made you choose to work in documentary instead of narrative?
I like to watch the world and put that watching together. It’s a simplistic way of filmmaking because it depends on just a couple people: the person shooting and the person editing. But it’s not simplistic for those few—it’s a heavy responsibility.
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©Robin Holland/robinholland.com |
Talk about some of your favorite films of the year.
Mille Soleils is an effortless poetic gem. Manakamana lives up to the hype—a film about going to a temple that reminded me of how the act of going to see films can be a spiritual act. Actress is daring and empathetic and reminds me of the everyday neighborhood poetry of poets such as William Carlos Williams. Stray Dogs, Buzzard...
What does it mean to you to have your movie playing in Brooklyn?
Well, Brooklyn is where, years after filming was complete, my Approaching the Elephant subject Alex Khost and I fell in love. We now live together in Brooklyn, about 10 blocks from BAM. Aside from his pursuits in education, Alex is an oil painter.
Approaching the Elephant screens in BAMcinemaFest on Sunday, Jun 22 at 2:30pm.
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