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Madeline’s Madeline. Photo courtesy of Visit Films. |
Drawing inspiration from BAM’s flagship Next Wave Festival, BAMcinemaFest proudly reflects the institution’s overarching aim to be the home for adventurous artists, audiences, and ideas across all art forms. Speaking to the programming of this year’s edition, Gina Duncan, associate vice president of cinema, says: “We thought a lot about Next Wave, whose name evokes the French New Wave. This enduring, influential movement in cinema history saw filmmakers break away from established forms of storytelling to create personal, experimental and socially conscious work. These traits are apparent throughout our line-up, which engages with and connects to our contemporary social and political climate.”
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Sorry to Bother You. Photo courtesy of Annapurna. |
Rebellious forces pulse through Closing Night film Madeline’s Madeline, an immersive and moving drama directed by BAMcinemaFest alum Josephine Decker (Thou Wast Mild and Lovely, 2014; Collective: Unconscious, 2016). The titular Madeline (16-year-old Helena Howard, astounding) is a performing arts student locked in a battle of wills with her brittle single mother (Miranda July) and her overbearing teacher Evangeline (Molly Parker). Madeline might well find a kindred spirit in the shape of young Tom (Thomasin McKenzie), the focus of Centerpiece film Leave No Trace. This heartbreakingly empathetic tale from Debra Granik (Winter’s Bone) follows Tom and her grizzled veteran father (Ben Foster) who opt to live off the grid, rejecting the traditional parameters of family and home. A more prosaic experience defines the days of awkward teen Kayla (Elsie Fisher) in Spotlight selection Eighth Grade, Bo Burnham’s beautifully-observed, howlingly funny study of a girl who struggles to finish her last week of classes before embarking for high school.
BAMcinemaFest’s line-up is further populated by a range of form-stretching, unconventional and experimental treats from the worlds of fiction and nonfiction. These include future cult classic Relaxer (dir. Joel Potrykus), a Millennium Bug-era fever dream that manages to be at once profoundly moving, nail-bitingly gripping, and seriously disgusting; controversial artist Leigh Ledare’s The Task, a riveting blend of observational documentary and psychoanalysis which can’t help but conjure Sartre’s famed aphorism “Hell is other people”; and Sandi Tan’s unique Shirkers, a poignantly personal journey of cinephilic obsession. “It’s crucial that we’re sharing with audiences things they haven’t seen before,” says BAM Senior Programmer Ashley Clark. “We see BAMcinemaFest as a platform for both the present and future of cutting-edge, unconventional American independent cinema.”
In addition to featuring the cream of work from esteemed festivals like Berlin and Sundance, BAMcinemaFest’s line-up also boasts three world premieres: Feast of the Epiphany (dirs. Michael Koresky, Jeff Reichart, and Farihah Zaman), a metaphysical narrative-documentary hybrid; Chained for Life (dir. Aaron Schimberg), a self-reflexive, cinema-drunk drama featuring a heartbreaking central performance by Adam Pearson (Under the Skin); and Two Plains & a Fancy (dirs. Whitney Horn and Lev Kalman), a baroquely funny spa-Western-comedy shot on gorgeously grainy 16mm.
“We’re thrilled to be given the honor of sharing these films with the world for the first time,” says Programmer Jesse Trussell. “They are moving, hilarious, and startlingly original works from teams of artists that we’ve been supporting for some time. Championing this kind of defiantly personal cinema,” concludes Trussell, “is exactly what BAMcinemaFest is for.”
BAMcinemaFest runs June 20—July 1. For tickets and to see the full line-up, please visit BAM.org/BAMcinemaFest.
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