More up a Tree—opening at the BAM Fisher next Thursday, November 19—is BAM's third co-presentation with Performa. We spoke with Performa's Founding Director and Curator RoseLee Goldberg to get the inside scoop on the origins of BAM and Performa's relationship, the future of performance art, and more.
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| More up a Tree in action. Photo: Monia Lippi |
How did the BAM + Performa collaboration begin?
RoseLee Goldberg: Joe Melillo and I go back a long way, in fact to the early Next Wave Festival, in 1985. The programming that he and then president and executive producer of BAM, Harvey Lichtenstein, put together came directly out of the downtown scene and included many artists with whom I had been working at The Kitchen—Laurie Anderson, Philip Glass, Steve Reich, Trisha Brown, Laura Dean, Meredith Monk, Bill T. Jones/Arnie Zane, and many more. Joe and I have maintained a close conversation throughout the years; he was one of the first people with whom I shared my earliest ideas about Performa 10 years ago. Let’s say we’ve been collaborators in spirit all along.
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| RoseLee Goldberg. Photo: Patrick McMullan |
Joe and I both have a high tolerance for risk, and total trust in the artists with whom we work, as well as a profound understanding of the details of producing. He has so much more experience than all of us, and I would ask him a million questions if only he had the time to answer them. Above all, it’s thrilling and very moving to have another person with whom one can share every aspect of what it means to place vital ideas in the middle of a community, and to bring people together through the arts to become more sensitive, more deeply caring human beings.
