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Showing posts with label John Turturro. Show all posts
Showing posts with label John Turturro. Show all posts

Thursday, January 23, 2014

Top Ten BAM Blog Posts of 2013

By Robert Wood

Carl Einhorn and Karen Weiss in Paradise Now, Living Theatre, 1968.
Photo: Kenneth L. McLaren

For most respectable publications, the window for posting 2013-related top 10 lists closed a few weeks ago. But any blog representing the "home of adventurous artists, audiences, and ideas" is obligated to flout journalistic convention. Besides, the year would feel incomplete without at least a cursory look back at our year in self-publishing, so here, without further ado, are our top 10 most popular posts from 2013.

10. King of New York: Remembering Lou Reed at BAM

As we implied above, BAM has always committed to being a home for adventurous artists, and never has that mission excluded the chain-smoking, poker-faced, proto-punk-innovator set. Lou Reed, who died in October of last year and who performed at BAM frequently throughout the 90s, was an important part of that pantheon. Susan Yung remembered Reed in this lovely piece.

9. John Cassavetes: Criminal Minded

What’s cooler than being a pioneering director of American independent film? Being a pioneering director of American independent film who also steals people’s sweaters. Critic Pauline Kael had it coming, according to John Cassavetes, who was the subject of a retrospective at BAMcinématek in July. BAM’s own Nate Gelgud recreated the director’s sleight-of-hand vengeance in this comic.

8. BAM Illustrated: John Turturro Mid '80s Hat Trick

It’s John Turturro’s own fault that he’ll always be known as “The Jesus.” That’s what happens when you lick a bowling ball while wearing a purple onesie and it’s all caught on film. If Turturro’s other roles with the Coen Brothers—and to a large extent, Spike Lee as well—were no less iconic, they also overshadowed lesser known but equally fantastic turns in '80s films from Woody Allen, Susan Seidelman, and William Friedkin. BAM illustrator Nate Gelgud paid homage to these underrated roles in conjunction with Turturro’s stint in Ibsen’s The Master Builder.

Thursday, May 23, 2013

Ibsen and Munch—What's the Connection?

by William Lynch


Edvard Munch, The Dance of Life, 1925. Photo: Munch Museet, Oslo.



Ibsen and Munch. What's the connection? Besides being two giants of Norwegian culture when Scandinavia was a hotbed of artistic ferment, I never really thought about it until I saw the promotional image that BAM marketing is using to promote the current production of The Master Builder, directed by Andrei Belgrader.

It was mistakable, at least to me. The arresting black-and-white photograph of actors Katherine Borowitz, John Turturro, and Wrenn Schmidt had all the weight, psychological insight, and similar composition to several of  Edvard Munch’s familiar works—among them Woman from 1925 and more specifically The Dance of Life from 1899—1900.

Friday, May 10, 2013

In Context: The Master Builder

Katherine Borowitz, John Turturro, and Wrenn Schmidt. Photo by Graeme Mitchell.

Henrik Ibsen's The Master Builder runs at BAM through Sunday, June 9. Context is everything, so get even closer to the production with this curated selection of articles, videos, and original blog pieces related to the show. For those who've already seen it, help us keep the conversation going by telling us what you thought below.