Donning a frayed, cotton dress and a shabby beehive wig, she drags on her cigarette and teases the audience with intermittent flashes of skin, if only they will pay for a glimpse. Ms. Opal Foxx, né Robert Dickerson, queen of a thriving, close-knit music scene in Cabbagetown, a former mill town in Atlanta, Georgia, is the inspiration for David Dorfman's production Come, and Back Again, which explores "the mess we create and the mess we leave behind."
In the late 1980s Benjamin, Dickerson's elected moniker, fronted the Opal Foxx Quartet, then the premier group of Cabbagetown’s underground music scene, which included the Jody Grind with Kelly Hogan and Chan Marshall (Cat Power). Opal Foxx, between 10 and 14 members, was a junkyard jamboree of rock, blues, and honkytonk filtered through a punk ethos and the gravelly baritone of its cross-dressing frontman, a confluence of Flannery O’Connor and the Cockettes. The band’s debut album, The Love That Won’t Shut Up (an allusion to Lord Alfred Douglass’ line, “the love that dare not speak its name”), included songs produced by Michael Stipe, who saw them perform in Athens.
