![]() |
| "Here I was born, and there I died.": The Vertigo Effect screens at BAM Apr 16—30. Photo: Paramount Pictures/Photofest |
By C. Mason Wells
In 1958, Alfred Hitchcock’s 45th feature Vertigo was released to largely mixed reviews. This story of acrophobic San Francisco detective Scottie (Jimmy Stewart) hired to trail mysterious blonde Madeleine (Kim Novak) was tagged “basically only a psychological murder mystery” by Variety. Writers ranging from the Young Turks of Cahiers du Cinéma to Andrew Sarris to Robin Wood had begun to make the case for Hitchcock as a consummate film artist during the 1960s, but critical consensus took far longer; Vertigo failed to place in Sight and Sound’s once-a-decade critics’ poll until 1982. In 2012, it climbed to the number one slot and the title of Best Film of All Time, knocking Citizen Kane (1941) from its 50-year reign atop the belltower.

