In Context: The Glory of the World

Charles Mee's The Glory of the World, directed by Les Waters, comes to BAM January 16—February 6. Context is everything, so get even closer to the production with this curated selection of articles and videos related to the show. After you've attended the show, let us know what you thought below and by posting on social media using #GloryoftheWorld.

Glory Be

The Glory of the World. Photo: Bill Brymer

When it premiered last spring at Actors Theatre of Louisville, Charles Mee's The Glory of the World—coming to the BAM Harvey Theater from January 16 through February 6—quickly became one of the most debated productions in the decades-long history of the Humana Festival of New American plays. The play had been commissioned to celebrate the 100th birthday of the Trappist monk, Thomas Merton, who spent most of his career writing and meditating in the secluded confines of the Abbey at Gethsemani just south of Louisville. At the heart of heated discussions: How accurately had Merton’s legacy been portrayed?

Merton, author of some 70 volumes of poetry and essays (and the best-selling autobiography The Seven Storey Mountain) is revered around the world—just a few months ago, in a speech to the US Congress, Pope Francis singled Merton out as a “great American.” But he’s especially beloved in Kentucky, where the Thomas Merton Center is housed at Bellarmine University (and where a recent campaign has emerged to name a new Ohio River bridge after him).