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Thursday, November 14, 2019

Future Unknown: A Conversation with Brett Story

Photo courtesy of Grasshopper Film 
By Lindsay Brayton

Brett Story is an award-winning filmmaker and writer based in Toronto. The Hottest August is her third documentary feature and screens exclusively at BAM Nov 15—27.

Beyond the Canon: In the Cut + Klute


It is no secret that the cinema canon has historically skewed toward lionizing the white, male auteur. Beyond the Canon is a monthly series that seeks to question that history and broaden horizons by pairing one much-loved, highly regarded, canonized classic with a thematically or stylistically-related—and equally brilliant—work by a filmmaker traditionally excluded from that discussion. This month’s double feature pairs Jane Campion’s In the Cut (2003) with Alan J. Pakula’s Klute (1971).

By Caden Mark Gardner

At the 70th Cannes Film Festival in 2017, directors of past Palme d’Or winners were invited back to celebrate the Festival’s history. At the center of one photo for this occasion was Jane Campion surrounded by an overwhelmingly male swath of contemporaries—a damning visual of the festival’s historic gender inequality. Sharing the top prize for The Piano in 1993 with Chen Kaige (Farewell My Concubine), Campion remains the only female director to win the award. The Piano went on to achieve world cinema renown, winning three Oscars, and reaping $140 million in global box office. That type of success is seldom replicated. Since The Piano, Campion’s works have been predominantly female-focused and specifically concerned with portraying femininity in relation to toxic masculinity and patriarchy, an impulse most recently realized in her limited run series Top of the Lake (2013—17).

Monday, November 11, 2019

“Poke fun in a way that makes you feel optimistic”: A Conversation with Maira Kalman

Maira Kalman, Marie-Laure de Noailles in Her Paris Salon, 2019, courtesy of the artist and Julie Saul Projects 
By Loney Abrams

Illustrator, author, and beloved BAM artist Maira Kalman generously partnered with Julie Saul Projects and BAM to release a new edition to benefit BAM’s artistic and educational programs; it’s available online through Artspace. Signed and numbered by the artist, the print was produced in an edition size of 75. Artspace’s Loney Abrams sat down with Maira Kalman to discuss Kalman’s most fascinating multi-disciplinary projects, where she finds inspiration, and her newest BAM benefit edition. Condensed highlights from their conversation are shared below.

Monday, November 4, 2019

What’s in a Name: When Eddy Became Édouard Louis

Photo: Sarah Walker


By Violaine Huisman

Édouard Louis was sitting very straight, looking deliberately into the interviewer’s eyes. I was sitting next to him, on the other side of a two-tone couch—part grey, part red. We were on the set of La Grande Librairie, a talk show about books, broadcast live in hundreds of thousands of French homes weekly.